Wednesday 29 June 2011

REVIEW ON THE FAMOUS NOBLE MAN RABINDRA NATH TAGORE'S GEETANJALI

Rabindranath Tagore (1861-1941), Asia’s first Nobel Laureate, was born into a prominent Calcutta family known for its socio -Religious and cultural innovations during the 19th Bengal Renaissance. The profound social and cultural involvement of his family would later play a strong role in the formulation of Rabindranath’s educational priorities.
I am very glad to write my review on The World Famous Noble Poet The Great Rabindra Nath Tagore’s book “’ GITANJALI”” .
This is the book based on god and humanity. In Hindi this book is also called ‘’geeton ki anjali” In this book there are total 180 poems. This book determines the internal feelings of the heart of Rabindra Nath Tagore. Each poem of this book is truly heart touching. After reading this book one will see the original face of the world. This book teaches you much about the world and about yourself. In my opinion this book is based on his life. The ordeals which had been faced by him teaches him some morals about the nature of life. That morals we can find in this book . He writes these morals as a poems so that one can take inspiration from there and follow the correct way to solve problems resolutely. In my eyes he was the greatest poet of the history ,who had improved the rules of society and the way of living of the people. Rabindranath Tagore’s educational model has a unique sensitivity and aptness for education within multi-racial, multi-lingual and multi-cultural situations, amidst conditions of acknowledged economic discrepancy and political imbalance. In an essay entitled “A Poet’s School,” he emphasizes the importance of an empathetic sense of interconnectedness with the surrounding world. Tagore's educational efforts were ground-breaking in many areas. He was one of the first in India to argue for a humane educational system that was in touch with the environment and aimed at overall development of the personality. One characteristic that sets Rabindranath's educational theory apart is his approach to education as a poet. At Santiniketan, he stated, his goal was to create a poem 'in a medium other than words.' It was this poetic vision that enabled him to fashion a scheme of education which was all inclusive, and to devise a unique program for education in nature and creative self-expression in a learning climate congenial to global cultural exchange. Rabindranath Tagore’s educational model has a unique sensitivity and aptness for education within multi-racial, multi-lingual and multi-cultural situations, amidst conditions of acknowledged economic discrepancy and political imbalance.
Rabindranath composed his first poem at age eight, and by the end of his life, had written over twenty-five volumes of poetry, fifteen plays, ninety short stories, eleven novels, thirteen volumes of essays, initiated and edited various journals, prepared Bengali textbooks, kept up a correspondence involving thousands of letters, composed over two thousand songs; and - after the age of seventy - created more than two thousand pictures and sketches. He dedicated forty years of his life to his educational institution at Santiniketan, West Bengal. Rabindranath’s school contained a children’s school as well as a university known as Visva-Bharati and a rural education Centre known as Sriniketan.

In Tagore's philosophy of education, the aesthetic development of the senses was as important as the intellectual--if not more so--and music, literature, art, dance and drama were given great prominence in the daily life of the school. This was particularly so after the first decade of the school. Drawing on his home life at Jorasanko, Rabindranath tried to create an atmosphere in which the arts would become instinctive. One of the first areas to be emphasized was music. Rabindranath writes that in his adolescence, a 'cascade of musical emotion' gushed forth day after day at Jorasanko. 'We felt we would try to test everything,' he writes, 'and no achievement seemed impossible...We wrote, we sang, we acted, we poured ourselves out on every side.'
In keeping with his theory of subconscious learning, Rabindranath never talked or wrote down to the students, but rather involved them with whatever he was writing or composing. Most of Rabindranath's dramas were written at Santiniketan and the students took part in both the performing and production sides. He writes how well the students were able to enter into the spirit of the dramas and perform their roles, which required subtle understanding and sympathy without special training.Gitanjali was one of the book written during that period. My favorite poem is the poem that expresses Tagore’s goals for international education, he writes:
Where the mind is without fear
and the head is held high,
Where knowledge is free;
Where the world has not been broken
up into fragments by narrow domestic
walls;
Where words come out from the
depth of truth;
Where tireless striving
stretches its arms towards
perfection;
Where the clear stream of reason
has not lost its way into the
dreary desert sand of dead habit;
Where the mind is led forward
by thee into ever-widening
thought and action–
into that heaven of freedom,
my Father,
Let my country awake.
I am very impressed by reading his beautiful poems which had given me the inspiration that how important the education is for everyone.
These are my reviews about Rabindra Nath Tagore’s Gitanjali.

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